Tuesday, 4 March 2008

Black Eyes - Black Eyes

"Formed in Washington, D.C. in 2001, Dischord's post-punk outfit Black Eyes followed in the footsteps of labelmates Q and Not U and Fugazi as well as bands like Girls Against Boys. Black Eyes consisted of two bassists, two drummers, only one guitar and seriously caterwauling vocals. The instrumental line-up makes for a rhythmic and driving sound akin to the Liars while the lyrics explore darkness and violence in poignant but oblique rock poetry."

rateyourmusic: "Black Eyes work with a pool of instruments: 2-3 drum sets, two bass guitars and an electric guitar (played like I've never had the privilege to hear anywhere else). Then there are the vocals, unmatched in intensity, often in a dialogue form, sometimes different lyrics delivered on top of each other to create a surprisingly powerful effect. The songs feature a wide range of music styles borrowed, re-dressed, armed and basically let loose to show the way out of grey punk rock uniformity. The lyrics are political/topical in the most beautiful way possible, playful and so very sharp somehow maintaining at the same time a touch of plain poetry. The songs touch upon the society's hidden/not hidden repression, the values meeting a void following the so-called sexual liberation, empty sloganeering, sexual (/any) minorities problems and finally the futility of singing in a rock band. The two drummer rhythm attack, inventive bass interplay, extatic expressionistic guitar handling and often almost unbearable fury that is channeled through everything is something so energizing it's really hard to describe." 4.5/5
Sounds like... Q and not U, Liars, Dismemberment Plan
Tags: Noise Rock, Punk

Tuesday, 26 February 2008

Xynthetic / Rambling

http://xynthetic.com/xsnhub.php

Lots of free electronic/ambient/IDM/chillout music available at the above link. I'll provide links to some of the stuff I come across that I like as I listen to it. A lot of it appears to good quality too for freely distributed music - it all appears to be 320 kbps or VBR stuff. Enjoy.

My absence for the past however many days can be explained by a rather worthwhile (and costly) trip I made to London over the weekend to see Boris along with Michio Kurihara, as well as by a heap of work I've had to complete... but that's less interesting so I won't bore you with the details. Anyway, back to Boris. Needless to say they played a mindblowing set - lots of new material from their forthcoming (and leaked) album Smile as well as the usual stuff you'd expect from Pink and Rainbow. My right ear's pretty much only just recovered from the hammering. I'd give a more of an insight if I could be arsed but I'm tired and just about to start thinking about doing some work... for once.

Anyway, I'll be back soon with more musique for you to digest. Sit tight.

Wednesday, 20 February 2008

Jedi Mind Tricks - The Psycho-Social, Chemical, Biological, and Electro-Magnetic Manipulation of Human Consciouness (2002 issue)


"Jedi Mind Tricks (JMT) is a hip-hop trio from Philadelphia, Pennsylvania and Camden, New Jersey. The group is composed of high school friends Rapper Vinnie Paz (born Vincenzo Luvineri, formerly known as Ikon the Verbal Hologram) and Producer/DJ Stoupe the Enemy of Mankind (born Kevin Baldwin). They recruited New Jersey rapper Jus Allah (born James Bostick) for their second album Violent by Design. Though he left after the creation of that album, he was later taken back, as stated by Vinnie. DJ Kwestion is also a part of the group, mainly scratching choruses on the turntable. Kwestion (or Kwes) is also a part of the group Skratch Makaniks. Kwestion was a replacement for JMT's previous tour DJ, Drew Dollars, who inexplicably is no longer affiliated with the group."


AMG: "The debut LP from Jedi Mind Tricks (though it appeared on CD only five years later), The Psycho-Social, Chemical, Biological, and Electro-Magnetic Manipulation of Human Consciousness was recorded in the duo's native Philadelphia but bears all the hallmarks of Long Island phantoms Wu-Tang Clan and their masterpiece of dense macabre, Enter the Wu-Tang (36 Chambers). Jedi Mind Tricks producer Stoupe shares with RZA and Scotty Hard the talent of making the unsampleable sound downright catchy, whether it's water drops and warped guitar (for "Chinese Water Torture") or soundtrack music caught halfway between the Italian underworld and a medieval Japanese drama ("The Winds of War"). The rappers, including Stoupe's partner, Ikon, as well as guests like fellow Philly flowmasters Lost Children of Babylon, prove up to the challenge of these difficult productions; it's high praise indeed that they never fail to convince and entertain, even when discussing interstellar spacecraft probes, biochemical molecular structure, or the minutiae of obscure Occidental mythology. It's clear that an earlier CD edition or, at the least, wider distribution upon its original release would've broken Psycho-Social with ease and vaulted the duo beyond the dozens of metaphysical rappers clogging the rap racks during the late '90s. [The 2002 CD issue includes six crucial bonus tracks, which prove the duo had, as early as 1994, staked out ground later occupied by similar crews like Company Flow and Dr. Octagon.] " 4.5/5
Sounds like... Immortal Technique, CunninLynguists
Tags: (Underground) Hip-hop, Rap

Monday, 18 February 2008

Christie Front Drive - Anthology



"Christie Front Drive was an alternative rock/2nd wave emo band formed in Denver in 1993. Citing as influences Superchunk, Sunny Day Real Estate, Buffalo Tom and Drive Like Jehu, the lineup consisted of Ron Marschall (drums), Jason Begin (guitar), Kerry McDonald (bass) and Eric Richter (guitar and vocals)."

Anthology is a collection of Christie Front Drive's earliest material - their first 12" and 7" releases. Despite lacking much variation (once you've heard one song you'll know the format for the ones that follow) Christie Front Drive have one trick that repeatedly works well. Their music has a cathartic and nostalgic feel to it, invoking an emotional response you can't quite put your finger on. Overall, it's an engaging listen which will stir the senses even if the formula for each song starts to wear a little thin by the end. 3.5/5

Myspace: http://www.myspace.com/christiefrontdrive

Download: http://www.mediafire.com/?2c0cddzh2tt

Sounds like... Mineral, Braid

Tags: (2nd wave) emo, alternative rock

Saturday, 16 February 2008

Volta Do Mar - 03>98

AMG: "Volta do Mar are part of the same Chicago experimental rock scene that's spawned bands as varied as Don Caballero and the Coctails. The tricky instrumental math rock of 03>98 has much more in common with the former, mixed with the polyrhythmic fearlessness of Tortoise. Much of the album, particularly the frenzied "Sports Conquest," is a showcase for drummer Tony Ceraoulo, who will never go for a simple snare hit if there's room for wanton abuse of a splash cymbal. His unapologetic overplaying isn't really a detriment, however, since the rest of the lineup (a pair of bassists and a single guitarist) prefer tasteful rhythmic and melodic development that has as much in common with mid-period King Crimson as it does the hipper names in post-rock. Refined occasionally to the point of bloodless, but with enough musical depth to skate past the occasional dull patches, this is a cerebral but entertaining listen." 3.5/5

Download: http://www.badongo.com/file/7819920

Volta Do Mar - At the Speed of Light or Day


"Instrumental rockers Volta Do Mar took their name from the Portugese phrase "turn of the sea," a line in a book by José Saramago. Bassists Jeff Wojtsiak and Mike Baldwin, guitarist Phil Taylor, and drummer Tony Ceraoulo all started playing together in various combinations at an early age in Chicago. They started in earnest in 1998, with broad influences from jazz to death metal. Their intricate, jazzy math rock made its debut on a self-titled EP in 2001, followed by a full-length debut, At the Speed of Light or Day, later that year."


AMG: "At the Speed of Light or Day seems to be a rather brain-twisting album. It's complex in its format, with nods towards Chicago underground instrumental music, prog art rock and psychotic jazz. Sometimes it feels as though the album can barely stand on its own weight. And yet it does, and does so with fair modesty and eagerness. It's as though Volta Do Mar begs you to stick your foot out to trip them and they survive even when you do. By no means is this meant to be relaxing or laid-back. Expect to pay attention and have your mind challenged by the intense ferocity of this album. People who desire that next step from Pele, Tortoise, or the Fucking Champs will no doubt be struck with interest by this project." 3.5/5
Sounds like... Pele, Oxes, Hella
Tags: Math Rock, Post-Rock, Instrumental

Boris with Michio Kurihara - Rainbow



"Boris is a Japanese rock band formed in 1992. As of 2007, personnel are drummer Atsuo, bassist/guitarist/vocalist Takeshi, and guitarist Wata. While most commonly associated with the doom metal and drone metal scenes, Boris are also renowned for their ability to regularly incorporate elements of many musical genres while maintaining an identifiable sound and quality. Boris have explored psychedelic rock, noise, ambient, sludge rock, post-rock, stoner-rock and hardcore punk, along with more conventional, mainstream rock styles. Named after a song on the The Melvins' Bullhead, Boris formed in 1992 and released their first album Absolutego on their own Fangs Anal Satan label. Since then, they have released 17 studio albums (including Absolutego), and many EPs, 7" singles, and full-length collaborative recordings, on various record labels across the world."

AMG: "What do you get when you pair the most diverse Japanese power trio with one of the same country's most inventive guitarists? Rainbow pairs Boris, a band who makes so many different kind of records — though all of them in their way are "heavy" — and Michio Kurihara from Japan's longest running freak scene band Ghost, who are also known to change sounds, themes and operational M.O.'s each time they record. The end result is a series of psychedelic songs — yes, songs (albeit sung in Japanese with lyric translations in the booklet) — that provide the Boris trio of Takeshi (guitars, bass, vocals), Wata (guitars, vocal, glockenspiel) and Atsuo (drums) an opportunity to do what they do best: invent spooky, time-shifting soundscapes for Kurihara to play off of without drowning in jam band fever. This does not sound like anything from other Japanese bands like Musica Transonic, White Heaven, Mainliner, or Stars. It's a memorable and disciplined series of songs that feel more like something Ghost would do than anything else, but Kurihara is restrained in his primary band behind Masaki Batoh; here he gets to cut loose with some of his more involved six-string freak-outs and electric humbucking sickness. Parts of this set, such as "Starship Narrator," are up-tempo wailers that go right for the heart of the psychedelic beast. Atsuo's drums are heavy in the bottom end, and a muddy, hissy noisescape provides open space for Kurihara's guitar explorations and extreme wah wah pedal, whammy bar, and finger-flying intensity to break the track into pieces with his solo. Beautiful. Contrast this with the next cut, "My Rain," where the soft, melodic interplay of guitars floats over backmasked tape and subtle outside-the-frame distortions. It's simple, beautiful and brief; a break in the Maelstrom. While everything here is worth hearing, especially since the way the tracks are sequenced makes this feel like an album, one tune leading to another, moving forward into an unknown that is sensual, spacious, multi-textured and beautifully articulated. "You Laughed Like a Water Mark," where acoustic guitars, muted drum kit, controlled feedback and Kurihara's fuzz warped guitar cut through the lyric line to underscore and bring home the poignant words. It's poetic, driven and hypnotic in its seeming monotony, though there is so much going on it's impossible to note it all in one listen. "Sweet No. 1" is pure Boris style freak-out sans drone. It's heat-driven rock that pushes Kurihara to let that knife-like tone soar above before he is driven to his wah wah pedal and complemented by Takeshi playing back in call and response. It's freaking nuts. There are vocals but they are more shouted than sung in the heart of the beast that this wailer is. Rainbow is the most cohesive collaboration Boris has ever done. It towers over their recording with Sunn 0))) and is a completely different animal than anything they've done with Merzbow. It's a sign of their sheer musicality and dynamic diversity as a group. As for Kurihara's place, this album was a vehicle for him to shine as a player, as a creator of textures and tensions, but also to engage with a band that fully "gets" his other side apart from Ghost. This is what great, uncompromising neo-psychedelic rock is all about: it draws from the past and points ever forward into the unknown future. " 4.5/5

Myspace: http://www.myspace.com/borisishuge
Download: http://www.mediafire.com/?5tllej2dlr1

Sounds like... Ghost, Fushitsusha, Comets on Fire

Tags: Psychedelic, Experimental, Stoner Rock